"The truly amazing thing about Music Audio Stories is that the writing, narrating, composing, and performing are all done by the multi-talented Anna-Christina. She reads with great spirit and enthusiasm. Her voice rises and falls in time to the music and story and her British-tinged reading adds a touch of class to the affair."

"The narrator has a really soothing voice, which I’m sure not just kids, but everyone will appreciate. It’s like liquid gold. Expressive and entertaining. The music background is so soothing and magical. 5 Star Rating."

"These audio books are greatly original and very professionally produced. They are not just empty children’s stories. Besides being funny and well written they have a message in the story."

"The music is upbeat and beautifully matches the story. I loved the narrator’s expression in her story telling. The story is entertaining, imaginative and fun."

"Anna's narration went perfectly with the music. Her sing-song voice and accent made a pleasing combination I think children will enjoy along with their parents. I highly recommend this book as a fun way for parents and children to interact. Loads of fun for children on the run."

“What does a London-based rock bands first music video look like? It’s guaranteed, not many will look like Lilyguns! With the release of their first music video, Lilygun prove to not only be unique in sound but also in vision. Lead singer/songwriter Anna-Christina’s raw and powerful performance is captured beautifully in the video, directed by David Ryder Prangley (of Rachel Stamp fame), revealing a dark stylised character reminiscent of a Gothic Kate Bush. The charismatic front-woman has dedicated this video to her brain surgeon Mr Kevin O’Neill, who saved her life. A pretty harrowing yet touching dedication.”

“There have been many debut albums that bring you that "wow" factor and Lilygun is right up there with the best. The songs are atmospheric, played brilliantly but above all sung to perfection by front woman Anna-Christina. Lilygun are getting the attention and recognition from the music industry for all their qualities and hard work. About bloody time too.”

“Anna-Christina's voice is both unique and unexpected. Lilygun know how to lead their listeners, drawing them intimately close before hitting them hard with a punk riff or two. Lilygun's debut album is an insight into just what they can do, varied and exciting, it clearly sets them up as one to watch.”

“Escaping the genre trap with consummate ease, Lilygun’s self-titled debut deals in freedom of expression and a feast of guitar-driven emotion dredged from the depths of London’s underground live music scene. Impossible to pigeon-hole and yet easy to admire, Lilygun could be the shot in the arm British rock is searching for.”

"What’s most striking about the album from Lilygun is how they’ve combined a real sense of catchiness with their technical approach to things, combining their signature sound with an almost mainstream like quality, something which will stand them out as more than a simple rock band. This ability, and the resulting sound is what makes this such a stand out album. If you only ever listen to one album we review, then make it this one – believe me when I say it’s worth your while!"

“Few bands in recent memory have grabbed my attention like London rockers Lilygun. There is so much depth to this record. It’s dark and cerebral, it’s moody and pensive, it’s operatic and it rocks balls. Musically, there is an evident solid chemistry with gorgeous bass lines by Aaron John and David Ryder Prangley and drummer Belle Star laying down the foundation for massive orchestral highs and magnificently simple lows. Add to this a deliciously balanced mix of guitar sounds, ranging from haunting background growls to full bore wall-o’-sound solos. Then there is the tour-de-force that IS Anna-Christina. With song writing chops that, for me, rival those of the great Tori Amos, she is certain to be a force to be reckoned with. This is not to mention the fact that she is one of the most gorgeous bad-ass rocker women I’ve ever seen.”

“This is a set of songs written by the band’s dynamic and charismatic singer, Anna-Christina, demonstrating such variety that it’s difficult to pin the sound down to 1 genre. The arrangements squeeze every last drop out of a fairly traditional line-up and create a huge dynamic range across the album. This is a great first album from an original and inventive band and I haven’t heard anything else this year to surpass this in terms of raw power and dynamic range. This is a great album.”

“Songwriting is nothing new to this lady as she wrote all the songs on last year's long awaited Lilygun debut album. However, she is now stepping out of her comfort zone and into uncharted waters. Anna-Christina doesn't believe in taking the easy route - most people in this situation would just play stripped down acoustic versions of their band's existing well tried songs. No - that would be too easy! Instead we get four never before heard songs and a cover.

This series of solo acoustic gigs are going under the rather puzzling name of 'Pretty Little Lady?' Yes, the question mark is intentional - but why you may ask as there is surely no question? Well this little lady is puzzling so... The first song is actually called 'Pretty Little Lady?', and once the lyrics hit home you begin to understand. This is actually hard hitting stuff lyrically and there is quite a bit of venom in there. Although anyone attending tonight wanting to hear Lilygun songs is going to be disappointed, there is one song that most people will recognise - a cover of the Garbage song 'Fix Me Now' - again showing a different side to this intriguing lady - It's not all anger and attitude after all.

The turnout tonight is rather good - especially for an expensive upmarket venue on a Tuesday night. Anna-Christina's set is very well received by those present. Anna-Christina is a mass of contradictions. This softer acoustic approach still drips with venom. And yet in spite of the aggressive nature of the lyrics in tonight's songs, she adopts a much softer vocal style than she does when fronting her rock band Lilygun.”

“Although she is appearing here tonight in solo acoustic mode Anna-Christina isn't your typical laid back singer/songwriter. There may be no electric guitars or drums present, but don't expect the usual nice innoffensive hippy hippy style songs about flowers and lovely summer days in the country. No - this lady has axes to grind!

The method of delivery may be different from the power of her rock band, but lyrically these songs pull punches! From the opening title track 'Pretty Little Lady?' (the question mark is quite deliberate but you have to hear to song to understand) it's very obvious Anna-Christina has things to get out of her system and issues to deal with! The lyrics of the first couple of songs in particular aren't for the faint hearted and obviously come from bitter personal experiences. What makes this show more of a triumph is that away from her London home and the support of friends and family this crowd of people who have no idea who she is really enjoy her set.”

“Fix Me Now - It's a quite different sounding but good version of the song - I think the vocals are better than the Garbage original and Anna-Christina's voice really soars in a way she doesn't allow it to when she is fronting Lilygun. The set finishes with new (for these acoustic gigs) song 'Resolution' which goes down well judging by all the applause. It's certainly interesting to see another side to the intriguing Anna-Christina and I really like the way she uses a higher part of her voice that people people who have only seen her perform with her rock band Lilygun will be unfamiliar with.”